This past week, I finished reading The Love of My Life by Rosie Walsh. I’m still reading Origins of Totalitarianism by Hannah Arendt. And I started reading The Book of Form and Emptiness by Ruth Ozeki. [See the answers to yesterday’s quiz at the bottom of this post.](more…)
An opening line sets the tone and mood of any piece of writing. Today’s post will inspire you to consider interesting and effective ways to open a piece of writing. Read the opening passages below, then see if you can match them to their well-known works.(more…)
Have you ever experienced the pure serendipity of reading a book at the precise moment you needed to read it? Perhaps you started reading a book about characters learning to grieve, as you were learning to grieve. Or you read a book with a protagonist overcoming an obstacle that you were also attempting to overcome. Regardless of how it comes about, the impact of timely reading can be life-giving, sometimes life-changing, even if it’s in the subtlest of ways.(more…)
Recently I made a big decision. I decided to write the current novel I’m working on in the first person, singular voice. It’s a work in progress, so we’ll see if this decision remains. However, there are still a lot of other decisions I need to make regarding this work in progress. One of them involves fictional tenses.(more…)
It seems like a lot of dystopic fiction has been cropping up lately. At least, over the past five to ten years I’ve noticed this trend. And this trend is probably due to the fact that it’s starting to feel like we live in an actual dystopic reality most of the time nowadays… But that’s an inquiry to entertain some other day.
Today, I’m wondering: Why is some dystopic fiction better than other dystopic fiction? Are there any key elements dystopic fiction must contain if a writer is serious about writing better dystopic fiction?(more…)
In the wake of US Supreme Court Justice Alito’s leaked drafted opinion regarding Roe v. Wade and Mother’s Day, which was yesterday, I am wondering: Does fiction about mothers and motherhood reveal more about our society and how it treats women than we readily acknowledge? Mothers in fiction are typically distraught, depressed, scared, prone to run away, etc.(more…)